Description
Minneapolis-based quartet Night Moves to play Neurolux in Boise on October 9th.
Event Details
Duck Club Presents
NIGHT MOVES
with guests
Sunday, October 9th
at NEUROLUX
$15 adv / $18 door
7:00pm doors / 8:00pm show
21+ (valid ID required)
◥ ◣
FAQs
When does the first band start playing?
Typically the first band starts 1 hour after doors open.
Are there ID requirements or an age limit to enter the event?
Yes, this is a 21+ venue. Valid ID required for entry.
Where can I contact the organizer with any questions?
If you have any questions, please email info@theduckclub.com
Minneapolis-based quartet Night Moves return with the psychedelic new song “Fallacy Actually.” The first track in a series of new singles to be released incrementally over the next year, “Fallacy Actually” is a head-spinning swirl of layered synths, harmonica, and guitar and a fitting introduction to the band’s next chapter.
Singer John Pelant describes the track as, “A dense cosmic romp that deals with personal fears and letting go.
The inevitable end of things, hatred versus acceptance, flawed thoughts, and what could have been.
I wanted it to have a NOVA, UFO abduction, backroom Estonian roller rink discotheque kind of vibe.
The song went through a lot of changes, styles, and moods. I think we ended up in a nice place.
NIGHT MOVES
with guests
Sunday, October 9th
at NEUROLUX
$15 adv / $18 door
7:00pm doors / 8:00pm show
21+ (valid ID required)
◥ ◣
FAQs
When does the first band start playing?
Typically the first band starts 1 hour after doors open.
Are there ID requirements or an age limit to enter the event?
Yes, this is a 21+ venue. Valid ID required for entry.
Where can I contact the organizer with any questions?
If you have any questions, please email info@theduckclub.com
Minneapolis-based quartet Night Moves return with the psychedelic new song “Fallacy Actually.” The first track in a series of new singles to be released incrementally over the next year, “Fallacy Actually” is a head-spinning swirl of layered synths, harmonica, and guitar and a fitting introduction to the band’s next chapter.
Singer John Pelant describes the track as, “A dense cosmic romp that deals with personal fears and letting go.
The inevitable end of things, hatred versus acceptance, flawed thoughts, and what could have been.
I wanted it to have a NOVA, UFO abduction, backroom Estonian roller rink discotheque kind of vibe.
The song went through a lot of changes, styles, and moods. I think we ended up in a nice place.